One of the last great munchy bastions
of our modern times is the local movie house. There in the
climate-controlled comfort of the darkened theater, we sit idly by as our world
is over-run by giant arachnid robots when international spies come a hair's breadth
from the fiery destruction of a mushroom cloud ignited by an evil genius whose
illegitimate son has inexplicably traveled through Time and Space to defend the
honor of an elfin princess by attacking a troll-infested pub owned by a cartoon
rabbit struggling for sobriety after having blown his fortune on prescription
drugs and destroyed his relationship with his family who are now living in a
Vegas back-alley behind the Hard Rock Cafe waiting for their awkward
musical-savant daughter to strike it big with her original life-is-bitter
country song which will enable her breath-taking performance on the Great White
Way to increase awareness of a third-world nation rife with civil unrest until
a mere woman makes an impossible choice which will change the future of
mankind! And through it all I am
fortified with buttery popcorn, nachos, Red Vines, and a large Diet Coke
(because it's only 50 cents more than the medium so I'd be a sucker NOT to buy
the large).
I have a friend who never purchases
refreshments when taking her family to the movies, thus flying in the face of
that age-old tune, "Let's All Go to the Lobby." We have recently completed an
underground tunnel to aid her kids when they finally defect to the other side
of the concessions fence.
But tonight’s movie was not
particularly good. The popcorn
wasn’t particularly tasty, nor was the Diet Coke…well, the Diet Coke was good,
but you kind of have to work to screw that up. It’s been better than a month since I’ve gone to see a movie
at the full-price theater and truthfully tonight just reminded me why I’d
waited so long.
I find there aren’t many movies these
days that leave me uplifted and wanting more. Over and over again I hear directors & actors boast
about “pushing the envelope.” I
say to Hollywood leave the envelope
alone! Craft movies that
uplift the human spirit rather than strangling it, burying it in refuse, and
dancing on its grave in the name of art
or honesty or realism or whatever other euphemism they want to use. Call it what they may, the results are shock and voyeurism and spiritual denigration. And the result is desensitization and indifference.
Going forward we will pursue
more live theater, sporting events, symphony, ballet, game nights, and activity nights. There will
still be concessions in all their variety, but as a family, as a couple, as an
individual, for our part we are looking to be uplifted. Does this eliminate movies? Nope. But it does require a discerning heart and mind. Next Friday? Family movie night with James Cagney, Jack Lemmon & Henry
Fonda in Mr. Roberts.
what did you see? There hasn't been a movie out in recent years I have cared for. They should bring back the classics to the theater like Harvey, or Singing in the Rain. They seem to be bringing back every other movie for a 3d turn.
ReplyDelete"One For the Money" last night. Things darker and more heinous last month. I think I'm clipping my movie wings till "Hunger Games" comes out. Hopefully it will be good and not just gratuitous.
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ReplyDeleteSad, but very true! "Hugo" and "The Muppets" made me happy, though.
ReplyDeleteYou can also go see Nathan's new movie tonight that he just posted about on FB. Other than that, I highly recommend gathering a preponderance of the aforementioned "concessions" and watching the entire Cranford series -- both "Cranford" and "Return to..." Wondrously entertaining and uplifting!!!
AMEN!!! You are absolutely right! Here is one of my favorite quotes by director Richard Eyre:
ReplyDelete"Earnest nudity imposed by sincere directors is rarely the reliable conveyer of inner emotional nakedness and vulnerability they suppose it is. More typically, when the skin makes its appearance, the audience is ripped from the world of the story along with the clothing. The audience is deposited in a prurient inner world far from the plot. Their eyes no longer watch the eyes, mouths, and hands of the performers, but are diverted, no, riveted to other body parts. The audience and the story become lost to each other."